2018–2019 SERIES: VIRTUOSOS

If something becomes popular, it will be made fun of. Gordon Jacob’s The Barber of Seville Goes To The Devil is a prime example of musical parody. Gioachino Rossini’s original opera, The Barber of Seville has been massively popular since it was first performed in 1816. Anyone marginally aware of the opera can hum tunes featured in the overture to the opera. In 1960 Jacob composed The Barber of Seville Goes To The Devil as a humorous homage to Rossini’s original.

Haydn composed his Trumpet Concerto in E Flat in 1796 for his friend Anton Weidinger, who was also the developer of the keyed trumpet that could play chromatically. Unlike the natural trumpet, the keyed trumpet had four to six holes or keys similar to the flute; however, the keyed trumpet was ultimately not successful due to its poor sound quality. (Trumpets used today are called valved trumpets and were first introduced in the 1830s.) In fact, the piece is considered one of Haydn’s most popular concertos and is a favorite of trumpet players and classical music lovers everywhere.

Johannes Brahms is recognized as one of the great composers of the Romantic period. His career took flight in the early 1850s thanks in no small part to the mentorship of Robert Schumann, one of the leading composers and critics of the day. He and his wife, Clara, a prominent piano soloist and composer in her own right, played significant roles in shepherding the career of young Brahms.

The Evanston Symphony Holiday Gospel Choir will perform Stand by Me with the ESO. The recent royal wedding between Prince Harry and Meghan Markle was our inspiration to include this wonderful number in our Holiday Concert. Stand By Me was originally a gospel song published in 1905 by Charles Albert Tindley: an amazing person in his own right - born son of a slave, self-educated, and a pastor. Ben E. King adapted the song for the Drifters in 1960. It quickly became a hit and an anthem of the Civil Rights Movement.