• Our Next Concert

    Rhapsodies in Red, White and Blue

    Sun., April 19, 2026, 2:30 p.m.

    Coleridge-Taylor

    Gershwin

    Boyer
    with Jeffrey Biegel, piano

    Bernstein

    Gershwin
    with Jeffrey Biegel, piano

    Albert Cano Smit, piano
  • Support Your
    Symphony Orchestra

    The ESO Community is made up of Orchestra Members and Supporters. Join us!

  • Musical Insights

    Free Pre-Concert Preview Series!

    April 17, Friday, at 1:00 pm (Note different time!)

    Enhance your concert experience with a sneak preview — Composers come alive and their passions take center stage when ESO Maestro Lawrence Eckerling takes you on an insider’s tour of the history and highlights behind the music.

    MI

    Meet our soloist, Jeffrey Biegel, piano, at Musical Insights. He and our Maestro Lawrence Eckerling will explore the April concert program in depth.

    Friday, April 17
    at 1:00 pm
    Merion’s Crystal Ballroom at
    529 Davis St, Evanston.
    FREE and open to the public.

2025-2026 SERIES: The POWER of Music

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Musical Insights

Free Pre-Concert Preview Series!

April 17, Friday, at 1:00 pm (Note different time!)

Enhance your concert experience with a sneak preview — Composers come alive and their passions take center stage when ESO Maestro Lawrence Eckerling takes you on an insider’s tour of the history and highlights behind the music.

Meet our soloist, Jeffrey Biegel, piano, at Musical Insights. He and our Maestro Lawrence Eckerling will explore the April concert program in depth.

Friday, April 17 at 1:00 pm (Note different time!),
Merion’s Crystal Ballroom at
529 Davis St, Evanston.
FREE and open to the public.
Please RSVP to 847-570-7815.

The Merion
Light refreshments will be served and casual tours of apartments will be available after the program.

Give the gift of music

Treat a friend or relative to the ESO

Give the gift of music by ordering directly from our website and purchasing a custom gift certificate in any denomination of your choice! Certificates may be redeemed for single ticket or season subscriptions for any of our concerts.

You will receive an electronic gift certificate or we can mail the certificate to you or directly to the recipient.

Latest news

The view from the back of the stage

Peter SchmeiserJennifer Schmeiser view

Jennifer and Peter Schmeiser moved to Evanston from Florida in 2017 for better jobs, better weather, and, as it turns out, a better orchestra! Pete joined the ESO in early 2018 because, as he says, “if you play bassoon (which nobody else does), the best thing to do when you move to a new town is to join a community orchestra or band. Then you have about 80 people you have a good chance to make friends with!” (Pete says he hasn’t made an enemy yet…) Jen came on board during the pandemic when she was recruited to be Assistant Principal Trombone and is currently in her third season as ­

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Where Charm Meets Brilliance

Samuel Coleridge-Taylor

Born in 1875 to a white English mother, Alice Hare Martin, and a Sierra Leonean father, Samuel Coleridge-Taylor was raised by his mother and never knew his father, who had moved back to Sierra Leone before Samuel was born. Alice named Samuel after poet Samuel Taylor Coleridge, and, being from a family with many talented musicians, her father began teaching Samuel violin at a young age. It did not take very long for Samuel to surpass his grandfather’s abilities, at which point he enrolled in the new Royal College of Music.

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Romantic Era Visionary

Robert Schumann (1810–1856) was a German composer and pianist of the early Romantic era. He began piano lessons at age six and showed an early gift for capturing character and emotion in melody. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, orchestra, chamber groups, choir, and opera. His works typify the spirit of the Romantic era in German music.

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From Rivals to Lovers

Wagner

Overcome by despair for his forbidden love and betrayal of his uncle, King Marke, Tristan casts his sword to the ground and allows himself to be impaled by his former friend’s sword. Tristan sees his own death as the only way to consummate his love with Isolde, whose fiancé he had killed before the start of the opera. Their relationship, originally defined by mortal rivalry, is transformed when the poison they were to drink to alleviate their grief is replaced with a love potion.

Learn More!

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