A Concerto Like No Other
Premieres are not necessarily auspicious events. That certainly seemed to be the case for the debut of Jean Sibelius’ Violin Concerto in D Minor — the composer’s only concerto.

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Premieres are not necessarily auspicious events. That certainly seemed to be the case for the debut of Jean Sibelius’ Violin Concerto in D Minor — the composer’s only concerto.
As the son of a publisher and a well-read, studious fellow himself, the young Robert Schumann was interested in being a writer. When he realized his true passion was music, he instead became the only one of four brothers to quit the family publishing business, building a successful career as a composer, pianist, and music critic. Even so, he never forgot his literary roots, and showed a particular zeal for setting written works to music.
Like the Fifth and Sixth symphonies, Beethoven’s Seventh and Eighth are a set of “untwins,” contrasting works created basically side-by-side. Beethoven completed Seventh Symphony in 1812 and premiered it and his Wellington’s Victory, or The Battle of Vitoria, in December 1813 at a fund-raiser for soldiers wounded at the battle of Hanau. In between, the program featured marches by other composers where the orchestra was accompanied by a mechanical trumpet-playing machine, created by Johann Malzel, who also invented the metronome.
Ave Verum Corpus has been hailed through the years as one of classical music’s great masterworks, a testament to Mozart’s incredible ability to create powerfully emotional works. Perhaps the most impressive aspect of the motet is that it reaches this emotional depth over the course of just 46 measures and through incredible simplicity. It was once famously described by Artur Schnabel as “too simple for children and too difficult for adults.”