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A panel of judges selected the ESO as “Orchestra of the Year.” Read More.
Enhance your concert experience with a sneak preview — Composers come alive and their passions take center stage when ESO Maestro Lawrence Eckerling takes you on an insider’s tour of the history and highlights behind the music.
Maestro Lawrence Eckerling will explore the concert program in depth.
Friday, October 20 at 1:30 pm,
Merion's Emerald Lounge at
529 Davis St, Evanston.
FREE and open to the public.
Please RSVP to 847-570-7815.
Light refreshments will be served and casual tours of apartments will be available after the program.
Give the gift of music by ordering directly from our website and purchasing a custom gift certificate in any denomination of your choice! Certificates may be redeemed for single ticket or season subscriptions for any of our concerts.
You will receive an electronic gift certificate or we can mail the certificate to you or directly to the recipient.
The Evanston Symphony Orchestra has appointed Michelle Pranger its general manager effective May 1, 2023. Pranger will oversee all operations; work with Music Director Lawrence Eckerling and the Board of Directors on concerts, community programs and outreach; manage ticket sales and subscriber relations; and help manage communications.
If you have never been to one of our regular concerts and are anxious about the cost, do ask at the Evanston Public Library main branch or Robert Crown branch, as well as at the Skokie Library, for tickets to our concerts that can be 'checked out' at no cost. We hope you enjoy our concerts and come back regularly after that.
The Evanston Symphony Orchestra now offers three different program books at our subscription concerts so all can enjoy the concert to the full. We have KidNotes to help younger audience members learn about the concert and include puzzles and other 'fidget-reducing' activities. We also offer large-print programs for patrons with reduced eyesight, and then our regular program books, all of which contain so much information to help you enjoy the concert.
The Evanston Symphony Orchestra has received a generous bequest from the estate of Anne Dow Weinberg. Ms. Weinberg regularly attended our concerts and was a good friend of Rick Greene, one of our longest serving French Horn players. Ms Weinberg is now a member of our KeyNote Society. Membership in the KeyNote Society is a reflection of the highest individual commitment to the future of the Evanston Symphony Orchestra.
The Evanston Symphony Orchestra played a wonderful free concert on May 19 with a finale that included 120 D65 middle school students. Generous donations at the concert and support from local businesses raised nearly $4,500 which will be used by D65 orchestra teachers for instrument rentals and repairs in the coming year.
The Rose of Sonora by George S. Clinton (b. 1947) tells the story of Rose in five scenes (movements). This Western-style violin concerto’s outlaw cowgirl is portrayed by the violin solo performed by Holly Mulcahy.
John Williams was born in New York City in 1932, the son of a jazz drummer, Johnny Williams. The Williams family moved to Los Angeles in 1948, where John attended North Hollywood High School. He studied composition privately and for a short time at UCLA before being drafted into the U.S. Air Force. During his service, he arranged band music and began conducting.
Sergei Rachmaninoff (1873-1943) was born into a musical family in the rural village of Semyonovo. He studied piano and composition at the Moscow Conservatory, graduating in 1892. A famous composer and virtuosic pianist, he also spent several years conducting, becoming conductor of the Bolshoi Theatre in 1904. After the Russian Revolution, he and his family settled in New York in 1918.
Aram Khachaturian is an Armenian national treasure. He was born to an Armenian family in Tbilisi, Georgia, in 1903 and is considered a leading composer of the Soviet Union. According to music historian Harlow Robinson, "his proletariat origins, non-Russian ethnic origins, and Soviet training [made him] a powerful symbol within the Soviet musical establishment.”
