A panel of judges selected the ESO as best in Illinois
Enhance your concert experience with a sneak preview — Composers come alive and their passions take center stage when ESO Maestro Lawrence Eckerling takes you on an insider’s tour of the history and highlights behind the music.
Adrian Munive, ESO Principal Clarinet, will be featured at Musical Insights.
Friday, October 17 at 1:30 pm,
Merion’s Crystal Ballroom at
529 Davis St, Evanston.
FREE and open to the public.
Please RSVP to 847-570-7815.
Light refreshments will be served and casual tours of apartments will be available after the program.
Give the gift of music by ordering directly from our website and purchasing a custom gift certificate in any denomination of your choice! Certificates may be redeemed for single ticket or season subscriptions for any of our concerts.
You will receive an electronic gift certificate or we can mail the certificate to you or directly to the recipient.
The tap-dancing reindeer from the Evanston Dance Ensemble return to join the Evanston Symphony Orchestra performing Rudolph the Red Nosed Reindeer, but that’s not all! Watch the fairy tale Hansel and Gretel and the story of Lieutenant Kijé come to life with ballet. Lieutenant Kijé tells the story of a fictional army officer that was made into a movie in 1934, and Sergei Prokofiev composed the music for the film, the Lieutenant Kijé Suite.
Bedrich Smetana’s The Bartered Bride is a three-act comic opera that is regarded as a major contribution toward the representation of Czech music in the classical music sphere. It was first performed at the Provisional Theatre in Prague on May 30, 1866.
The musicians of the Chicago Symphony Orchestra are known for their distinctive “Chicago Sound,” marked by the precision, clarity, and power that have defined the Orchestra as a world-class institution. As the longest-serving clarinetist in the Orchestra’s history, Soloist John Bruce Yeh has had intimate experience with this high standard of performance. Composer James Stephenson is also familiar with this unique sound, having grown up listening to the CSO during his childhood in suburban Chicago.
Between 1892 and 1895, Dvořák was the musical director of the National Conservatory of Music located in New York City, where its founder, Jeannette Meyer Thurber, offered him the job – he was already an established composer. While the Czech-born composer moved to the United States to fill the position, his stay was short-lived because he missed home; however, his goal was to discover American music. While Dvořák was influenced by both Native American and African-American melodies, he never alluded to any particular melody that inspired the New World Symphony.
