Enhance your concert experience with a sneak preview — Composers come alive and their passions take center stage when ESO Maestro Lawrence Eckerling takes you on an insider’s tour of the history and highlights behind the music.
Adrian Munive, ESO Principal Clarinet, will be featured at Musical Insights.
Friday, October 17 at 1:30 pm,
Merion's Emerald Lounge at
529 Davis St, Evanston.
FREE and open to the public.
Please RSVP to 847-570-7815.
Light refreshments will be served and casual tours of apartments will be available after the program.
Give the gift of music by ordering directly from our website and purchasing a custom gift certificate in any denomination of your choice! Certificates may be redeemed for single ticket or season subscriptions for any of our concerts.
You will receive an electronic gift certificate or we can mail the certificate to you or directly to the recipient.
Watch the holiday classic of Tchaikovsky’s The Nutcracker come to life when the Evanston Symphony Orchestra joins forces with the Evanston Dance Ensemble. Not only is The Nutcracker one of the most popular ballets, but it is often performed during the holiday season due to its Christmastime setting. In fact, its music is often an introduction to classical music for audiences of all ages.
Even though Sibelius’ pieces such as Finlandia are more popular, his Symphony No. 1 is no less important. Sibelius premiered his Symphony No. 1 in 1899 and revised it in 1900.
Symphony No. 1 starts off its first movement slowly with a clarinet over a soft timpani roll and moves into a main theme in the strings. A contrasting theme is picked up by the woodwinds, then a standard development and recapitulation follow. The movement ends with two soft pizzicato chords in the strings.
√While little is known about Antonio Vivaldi’s inspiration or his method of composition for the Piccolo Concerto, it is clear that the popular Italian composer was incredibly prolific; he penned upwards of 500 concertos, and more than two-thirds of them were written for solo instruments. Originally intended for the “flautino,” a high-pitched baroque recorder equivalent to today’s piccolo, the piece exhibits several characteristics of the baroque concerto that Vivaldi made standard during the era.
Jean Sibelius composed Finlandia for orchestra in 1899, and it became an overnight sensation. The piece was a political protest supporting the freedom of the Finnish press which was increasingly being controlled by the Russian Empire. Finlandia is a tone poem, an orchestral composition inspired by what the title of the piece refers to. (In Finlandia’s case, nationalism.) The piece premiered in the composer’s native Finland and was performed under various names to avoid this censorship.
