As the monarchy is central to the history and government of England, so it is part of its musical heritage. Crown Imperial, also known as Coronation March, came to life during a turbulent time for the British crown. Composer William Walton originally composed the march for King Edward VII’s coronation, set for May 12, 1937. However, when Edward abdicated the throne in 1936, his brother, King George VI, became king to the tune of Crown Imperial instead.
2019–2020 SERIES: GREAT COMPOSERS
Free Pre-Concert Preview Series!
Friday, January 31 at 1:30 pm
Enhance your concert experience with a sneak preview — Composers come alive and their passions take center stage when ESO General Manager David Ellis and ESO Maestro Lawrence Eckerling take you on an insider’s tour of the history and highlights behind the music.
Meet our soloist, Jeffrey Biegel, at Musical Insights. He and our Maestro Lawrence Eckerling and David Ellis will explore the February concert program in depth.
Friday, January 31 at 1:30 pm,
The Merion Crystal Ballroom at
1611 Chicago Avenue at Davis Street, Evanston.
FREE and open to the public.
Please RSVP to 847-562-5318.
Light refreshments will be served and casual tours of newly renovated apartments will be available after the program.
Give the gift of music
Treat a friend or relative to the ESO
Give the gift of music by ordering directly from our website and purchasing a custom gift certificate in any denomination of your choice! Certificates may be redeemed for single ticket or season subscriptions for any of our concerts.
You will receive an electronic gift certificate or we can mail the certificate to you or directly to the recipient.
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Amazon has a special program called Smile, where the company donates a small amount of your purchase to your designated charity. Once you select the ESO as your Smile recipient, just point your browser to smile.amazon.com each time you want to shop at Amazon and the Evanston Symphony will benefit. It won’t cost you a thing!
Thanks, and happy shopping.
Concert Content Highlights
Ralph Vaughan Williams was among the wave of European composers of the time who were interested in utilizing and recording folk music. Vaughan Williams found inspiration in English literature and traditional song, often quoting or imitating British folk tunes in his compositions. He was even a member of the English Folk Song Society, whose members sought to collect traditional music of the British Isles. Nine of these tunes found a place in the composer’s three-movement English Folk Song Suite, which was originally written for military band.
If you think the main themes from Benjamin Britten’s The Young Person’s Guide to the Orchestra and Henry Purcell’s Rondeau from Abdelazer Suite are similar, you’re right. Purcell, a Baroque composer, wrote incidental music in 1695 to accompany performances of the play by Aphra Behn, Abdelazer, also known as The Moor’s Revenge. The second movement of the 10-movement suite is one of Purcell’s most recognizable tunes and was the inspiration for Britten’s work.
It’s easy to draw parallels between Emmanuel Chabrier’s Espana and Nicolai Rimsky-Korsakov’s Capriccio espagnol, pieces that the Evanston Symphony Orchestra will perform on February 4 at 2:30 p.m. Both were written about the same time in the 1880s and draw on the music and culture of Spain. But there is another similarity: Neither composer was actually Spanish.