We open our first concert of our Symphonic Blockbusters season with Beethoven’s Coriolan Overture. This exciting overture reflects the drama of the story behind it. In 1802, he saw Heinrich Joseph von Collin’s play, Coriolan, based on one of Shakespeare’s less frequently performed tragedies, Coriolanus. The play was popular for a short time in 1802 and then faded from the stage. However, in 1807, it had a one-night revival at the palace of Beethoven’s patron, Prince Lobkowitz, solely for the introduction of Beethoven’s overture.
2018–2019 SERIES: VIRTUOSOS
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Free Pre-Concert Preview Series!
Enhance your concert experience with a sneak preview — Composers come alive and their passions take center stage when ESO General Manager David Ellis and ESO Maestro Lawrence Eckerling take you on an insider’s tour of the history and highlights behind the music.
Meet our soloist, Tage Larsen, at Musical Insights. He and our Maestro Lawrence Eckerling and David Ellis will explore the March concert program in depth.
Friday, March 15 at 1:30 pm,
The Merion Crystal Ballroom at
1611 Chicago Avenue at Davis Street, Evanston.
FREE and open to the public.
Light refreshments will be served and casual tours of newly renovated apartments will be available after the program.
Although there is no doubt that the "New World" is the most popular of Antonin Dvořák's nine symphonies, most musicologists and Dvořák scholars are in agreement that his greatest symphony is the Seventh.
The Double Concerto for Violin and Cello in A Minor stands apart in the Brahms’ canon. It was his only double concerto, and his last work for orchestra.
Thank two trends of the 19th century for the high-spirited, rollicking dances on our June program. Dance-style pieces for piano four-hands (a single piano played by two pianists) and compositions inspired by Europe’s minority culture, particularly the Roma (Gypsy) culture, were all the rage.
What is there new to say about Beethoven’s Fifth Symphony? It is, after all, one of the greatest, best-known and frequently played orchestra pieces ever written. It was first performed on Dec. 22, 1808, at the Theater an der Wien in Vienna, along with the premieres of Beethoven’s Sixth Symphony and Fourth Piano Concerto, with Beethoven conducting and at the piano. Oh, for a time machine!
Ludwig van Beethoven realized he was losing his hearing when he entered one of the most prolific and creative periods of his professional life. It was during this period — named the middle period — that he composed the Third Piano Concerto. The Evanston Symphony Orchestra will perform this major work with pianist Inna Faliks at its concert on Sunday, April 10, at 2:30 p.m. at Pick-Staiger.
Our April concert starts off with one of Beethoven’s final “Heroic” works, the Overture to his incidental music for a production of Goethe’s play Egmont.
ESO Celebrates Banner 70th Season with Beethoven, Brahms, Tchaikovsky & Other Favorites, Plus Evanston’s Own Howard Levy Playing His Harmonica Concerto and ‘Porgy and Bess’
The award-winning Evanston Symphony Orchestra is kicking off its 70th season on October 25 with a concert of much-loved favorites: Rossini’s William Tell Overture, Tchaikovsky’s The Tempest and Rimsky-Korsakov’s Scheherazade featuring concertmaster Julie Fischer in the prominent violin solos.