We open our first concert of our Symphonic Blockbusters season with Beethoven’s Coriolan Overture. This exciting overture reflects the drama of the story behind it. In 1802, he saw Heinrich Joseph von Collin’s play, Coriolan, based on one of Shakespeare’s less frequently performed tragedies, Coriolanus. The play was popular for a short time in 1802 and then faded from the stage. However, in 1807, it had a one-night revival at the palace of Beethoven’s patron, Prince Lobkowitz, solely for the introduction of Beethoven’s overture.
2020–2021 SERIES: 75th Anniversary
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More about the ESO
We are happy to share videos of previous concerts with you until we can get back to sharing live concerts with you.
Watch the latest video we just added to our library. John Bruce Yeh, Assistant Principal Clarinetist with the Chicago Symphony Orchestra performing James Stephenson’s Liquid Melancholy with the Evanston Symphony Orchestra, from 2018.
Although there is no doubt that the "New World" is the most popular of Antonin Dvořák's nine symphonies, most musicologists and Dvořák scholars are in agreement that his greatest symphony is the Seventh.
The Double Concerto for Violin and Cello in A Minor stands apart in the Brahms’ canon. It was his only double concerto, and his last work for orchestra.
Thank two trends of the 19th century for the high-spirited, rollicking dances on our June program. Dance-style pieces for piano four-hands (a single piano played by two pianists) and compositions inspired by Europe’s minority culture, particularly the Roma (Gypsy) culture, were all the rage.