• Our Next Concert

    VIRTUOSO VOICES

    Sun., May 12, 2019, 2:30 p.m.

    Williams, Bernstein

    Orff

    with Michelle Areyzaga, Soprano
    William Lewis, Boy Solo
    North Shore Choral Society
    Peder Reiff, Tenor
    Christopher Magiera, Baritone
    North Shore Choral Society
    Evanston Children’s Choir

    Michelle Areyzaga
  • Young Persons’ Concert

    Sunday, May 19, 2019
    3:00 pm, ETHS

    Music by Rossini, Rodríguez, Vivaldi, Williams
    followed by Farandole by Bizet plus Music from Pirates of the Caribbean performed by Evanston District 65 orchestra students playing side-by-side with Evanston Symphony musicians

    FREE!
    Donations Requested

     

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  • ESO’s
    Share The Stage

    Share the Stage lets you sponsor a chair in the Orchestra. It’s our way of recognizing that the ESO Community is made up of Orchestra Members and Supporters.

2018–2019 SERIES: VIRTUOSOS

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Give the gift of music

Treat a friend or relative to the ESO

Give the gift of music by ordering directly from our website and purchasing a custom gift certificate in any denomination of your choice! Certificates may be redeemed for single ticket or season subscriptions for any of our concerts.

You will receive an electronic gift certificate or we can mail the certificate to you or directly to the recipient.

SHOP and Support the ESO!

Are you looking to buy a gift for someone a Amazon? Need to stock up on supplies from Amazon?

Amazon has a special program called Smile, where the company donates a small amount of your purchase to your designated charity. Once you select the ESO as your Smile recipient, just point your browser to smile.amazon.com each time you want to shop at Amazon and the Evanston Symphony will benefit. It won’t cost you a thing!

Thanks, and happy shopping.

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Musical Insights

Free Pre-Concert Preview Series!

Enhance your concert experience with a sneak preview — Composers come alive and their passions take center stage when ESO General Manager David Ellis and ESO Maestro Lawrence Eckerling take you on an insider’s tour of the history and highlights behind the music.

Maestro Lawrence Eckerling and David Ellis will explore the May concert program in depth.

The Merion
Friday, May 10 at 1:30 pm,
The Merion Crystal Ballroom at
1611 Chicago Avenue at Davis Street, Evanston.
FREE and open to the public.
Please RSVP to 847-562-5318

Light refreshments will be served and casual tours of newly renovated apartments will be available after the program.

The Chicago Sound

James Stephenson

The musicians of the Chicago Symphony Orchestra are known for their distinctive “Chicago Sound,” marked by the precision, clarity, and power that have defined the Orchestra as a world-class institution. As the longest-serving clarinetist in the Orchestra’s history, Soloist John Bruce Yeh has had intimate experience with this high standard of performance. Composer James Stephenson is also familiar with this unique sound, having grown up listening to the CSO during his childhood in suburban Chicago.

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Czech Composer, American Inspiration

Dvorak

Between 1892 and 1895, Dvořák was the musical director of the National Conservatory of Music located in New York City, where its founder, Jeannette Meyer Thurber, offered him the job – he was already an established composer. While the Czech-born composer moved to the United States to fill the position, his stay was short-lived because he missed home; however, his goal was to discover American music. While Dvořák was influenced by both Native American and African-American melodies, he never alluded to any particular melody that inspired the New World Symphony.

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Stand Up for Haydn

Corigliano

John Corigliano’s Promenade Overture is a modern take on a classical masterpiece.

The composer admitted as much in his program notes from the 1981 work. He commented that Franz Joseph Haydn’s Farewell Symphony caught him “off guard.” During the final movement of this symphony, the players exit until only a pair of violins remains. Intrigued by the notion of reversing the process — orchestra members entering at the beginning of a work while playing — Corigliano wrote an overture that does just that.

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Brahms: Dramatic Romantic

Johannes Brahms

In 1853, at the age of 20, a young Johannes Brahms nervously presented himself to Robert and Clara Schumann. He was the leading composer of the day, and she was a prominent piano soloist and composer in her own right. This fateful meeting would lead to Brahms’ public introduction, and to a lifelong relationship, both musical and personal, with the couple. While Brahms owed the launch of his career to this great composer, he struggled under the weight of Schumann’s description of him as “a chosen one,” and in the shadow of Beethoven’s revolutionary Symphony No.

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The Firebird: From Russian Folk Tale to Ballet

Stravinsky

The ballet is based on the Russian folk tale of the Firebird, which Igor Stravinsky used as inspiration in his score. The Firebird ballet tells the story of Prince Ivan who defeats the evil Kastchei with the help of the Firebird, who offers one of her enchanted feathers to Prince Ivan after he spares her life while hunting in the forest. The feather is later used by Prince Ivan to summon the Firebird when he needs her help as Kastchei’s creatures chase after him.

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Music Fit for a King

William Walton

As the monarchy is central to the history and government of England, so it is part of its musical heritage. Crown Imperial, also known as Coronation March, came to life during a turbulent time for the British crown. Composer William Walton originally composed the march for King Edward VII’s coronation, set for May 12, 1937. However, when Edward abdicated the throne in 1936, his brother, King George VI, became king to the tune of Crown Imperial instead.

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Fanciful Folk Songs

Vaughan Williams

Ralph Vaughan Williams was among the wave of European composers of the time who were interested in utilizing and recording folk music. Vaughan Williams found inspiration in English literature and traditional song, often quoting or imitating British folk tunes in his compositions. He was even a member of the English Folk Song Society, whose members sought to collect traditional music of the British Isles. Nine of these tunes found a place in the composer’s three-movement English Folk Song Suite, which was originally written for military band.

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